Office Maria,  2026 - performance, sculptural and sound installation. 
19 minutes 18 seconds continuous loop.  
Intercoms, tape machines, hi-fi speakers, microphones, furniture, record player, type-writer, dictionary, print, paper, cotton/polyester suit sewn by Karin af Klintberg. 


Installation views of Office Maria, 2026 in group exhibition, Ardor, 2026, Telestaden, Stockholm. Curated by David Danell and Jordana Loeb. 

Wooden Feedback - Nine Boards,  2026 
Cassette release and performance at Konstnärshuset, Stockholm. 


DSI 029; “Wooden Feedback - Nine boards” is an audio feedback composition by Stockholm based artist Jordana Loeb. With a background in printmaking, woodcarving and dance, Loeb’s work naturally gravitates toward manifesting motion in static, yet vibrant forms.

In “Nine boards” – a collaboration with composer Anders af Klintberg and the most elaborate installation of Loeb’s sonic sculptural performances to date – nine carved wooden sculptures form a self-generating feedback loop. Through transducers, contact microphones and measured movements Jordana Loeb urges wood into song.

Composed by Jordana Loeb
Produced by Jordana Loeb and Anders af Klintberg
Recorded, mixed and mastered by Anders af Klintberg
Woodblock and woodcarving prints by Jordana Loeb

Special thanks to Anders and Manne af Klintberg, Daniel Rudholm, Aron Pelcman, Jesper and Måns Edvinsson

Installation views from the MFA Konstfack spring exhibition, 2024, Färgfabriken, Stockholm. 

Exhibition Text -

Apple Pillars: echo
Roots churning,
twisting upwards through its core.
Wind brushes decay
hollow  armor  form.
Holding, grappling
a December weight.
Ground unsettled and disheveled,
glimpses of pointed yellow remain.


My wood dealer revealed a secret, a process that I would have overlooked. The act of peeling and releasing, unmasking a serpentine of muddled and burnt. The diagonal cuts are intentional. Time continues to carve, exposing waxed cores and wrinkles. The artist transitions from preserver, mortician to creator. Head stretches against, a vacuumed hum resonates. A wooden memory stick.


* Thank you to chemists Mikael Pelcman and Jonas Hellberg, Chemtronica

Installation views of MFA duo exhibition, Carbon-14 Dating, 2024, with Josefina Anjou, Konstfack, Stockholm 


1. Force Field - Chatter
Carved popel wood, steel, transducers, amplifiers 
4-channel sonic installation resonating from sine notes at different frequencies. Co-composed with Anders af Klintberg.
5 x 1,5 x 0,15 m 

2. ...please plant a tree for when I'm born
Apple wood, steel
2,5 x 2,5 x 0,60 m


3. Petrified
Apple wood, wax
60 x 30 x 20 cm


4. Apple Pillars: echo
To fall, lean or be upright.
To support or be ornate.
To sound or remember. 
Apple wood, steel
Variable Dimensions

Exhibition Text/

Apple Pillars: echo
Roots churning,
twisting upwards through its core.
Wind brushes decay
hollow  armor  form.
Holding, grappling
a December weight.
Ground unsettled and disheveled,
glimpses of pointed yellow remain.


My wood dealer revealed a secret, a process that I would have overlooked. The act of peeling and releasing, unmasking a serpentine of muddled and burnt. The diagonal cuts are intentional. Time continues to carve, exposing waxed cores and wrinkles. The artist transitions from preserver, mortician to creator. Head stretches against, a vacuumed hum resonates. A wooden memory stick.

Live performance Wooden Feedback - Matrix  (2023), UAAAH! Festival, at Fylkingen in Stockholm.

Performance by Jordana Loeb
Accompanied by Anders af Klintberg

Live performance in solo exhibition, Wooden Feedback (2022), Galleri Duerr, Stockholm.

Performance by Jordana Loeb
Accompanied by Anders af Klintberg

Photography and video by Ashlee Christman